'I've had a very rough year after my seperation and writing this song has been so important to me. The thing with this song is that it has become like an anthem for so many women out there. I think that people really connect with music when it's real and it's genuine, it comes from a real place. Referencing the break-up for the first time on TV, she shared: 'It's been unbelievable to feel the reaction from so many people. The new hit has been dubbed a 'diss' track to Shakira's ex Gerard, who she shares two children with and split from after he was allegedly unfaithful during the relationship. It was one of Shakira's two ensembles for the TV appearance as she donned a sparkling black mini dress to sit down and chat with host Jimmy. While Argentinian producer Bizarrap joined her, sporting a dark-wash denim shirt with a white T-shirt and black baseball cap. She left her lengthy caramel tresses to fall freely in a loose curl while opting for a bright and radiant palette of makeup. Looking sensational, her mesh bodysuit featured a cut-out underboob detail, while a silver zip detail adorned the centre of her chap trousers. Shakira took to the stage to give her first ever live performance of the song, which soared the charts and hit No. He sang, "Her love is a thousand miles away," seated halfway up his staircase to nowhere, grappling with a past he still seems determined to overcome - no matter how complex the production.Wow! Shakira brought the heat in leather chaps on Friday night to perform THAT breakup hit about ex Gerard Piqué for the first time on The Tonight Show It was West's most wrenching performance of the evening. Most stood for the entire set, singing along to songs, watching West bring to life lyrics they had hummed for years.īut nothing illustrated West's penchant for emotion-fueled spectacle than the snow flurries he unleashed above the audience for "Coldest Winter." The manufactured snow swirled gracefully as he sang about his mother's death, its feather-like flakes making it halfway to the ground before they dissolved in the L.A. But clearly, he'd already connected with the audience. It was one of the few times that West, who's conditioned us over the years to expect his endless monologues, spoke directly to the capacity crowd. West rolled with it, though, breaking character at one point to joke about the mistakes with the audience: "This is one of the best dress rehearsals, so excuse me. And the fireworks that were supposed to punctuate various high points in numbers seemed timed for a less complex sort of show, one that perhaps didn't involve rappers syncing with string sections, marionette sketches and staircases to nowhere. Prerecorded backing tracks occasionally wrestled with the orchestra. Between numbers, there were odd pauses that appeared unplanned rather than designed to build tension. Like West, the multi-faceted production came with flaws. It was proof that no matter how big Kanye gets, he still isn't afraid of appearing entirely immature, if not embarrassingly nerdy.Īt the back of the Bowl, an angel-like figure looked down upon the venue, but the heavenly body was in fact a Hollywood star - Zoe Kravitz - who was disguised behind metallic face paint.įor West's final number, "Pinocchio Story," he came out covered head to toe in burlap, face obscured, and moved around the stage in as if a puppet on strings. The sounds of gunfire cut through the song, then West fell to the stage floor, writhing in an over-the-top display of pain. Onstage, he likened the emotional impact of receiving bad news, in his song "Bad News," with the violent act of being gunned down. In pure Kanye fashion, though, these raw moments were matched by the melodrama we've come to expect from a man who's showing his line at New York Fashion Week one moment, posing for the paparazzi with his Kardashian bride the next (and all in the wake of his VMAs announcement of a presidential bid). The cast of men dispersed into the crowd, roaming the aisles as if human embodiments of West's restlessness. The glowing white lights above turned red, reflecting his increasingly impassioned delivery. By "Love Lockdown" and "Paranoid," at least 60 shirtless men - all of color, all rubbed down in white powder - stood behind West on a stage-set of stairs.
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